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Grails - Pink Floyd, a stoner metallic band and a man from the Middle East share a "toke" (or "magic mushroom') in the desert. Slow, atmospheric and kinda tedious. Grand Duchy - Frank Black and his wife trade off vocals on sweet guitar/synth rock and romantic lounge-pop with the kinds of hooky (and sometimes oddball) chord variations you've got come to expect from America's Pixie. Honestly I favor his voice to hers, but hey it truly is his spouse! What's he gonna say, "Shuddupayouface"? The significant thing is that Frank Black/Black Francis' submit-Americana comeback carries on - these are good music! Some of the bass traces are awfully Kim Deal-esque too. Graveyard - Swedish. seems like 70's tough rock! like Spooky Tooth or anything. Not negative! Grizzly Bear - Brooklyn indie rock quartet whose initial album was the get the job done of a person member. A DICK! No no, I'm just earning "member" jokes for you. This early stuff is kind of aggravating and cutesy, throwing in raps and samples out of nowhere (together with the intro drums to Tears For Fears' "Shout"), drenched in dreamy reverb and many others. The entire-band stuff is a great deal additional melodic, with acoustic guitars, organ, mandolin and this kind of. You have to be fairly mellow to delight in it even though, since THEY unquestionably are! Grouper - Quiet acoustic strumming and reverbed woman vocals. Ethereal. Seems to be just one person. Growing - Experimental instrumental Brooklyn trio with swoopy noises and electronically manipulated guitar appears and this sort of, just droning together on one or two chords for hours on conclude. Ungodily gradual, tuneless and unexciting. Gutter Twins - Afghan Whigs and Screaming Trees 2getha. Good sound dark rock audio! Gym Class Heroes - Dull hip-hop with horns, synth washes, soulful guitar licks and Terrible sexual double-entendres. This is the form of shit they're continuously playing at my community Arriba Arriba Mexican Restaurant. I'm drunk each individual time we try to eat there even though so it's okay. Handsome Furs - Montreal indie rock that only has two songs on their MySpace web page. One is quite amazing with echoey drums, creepy minimal chords, electrical and acoustic guitars, martial beats, and a singer. The other is nostalgic-sounding and kinda corny with a synthesizer and singer. Who is aware what the relaxation of their material seems like, but just one thing's for sure: they have a singer. Har Mar Superstar - Dumpy white person singing sexy soul-dance-pop. Sorta like Prince as a dumpy white guy. He seems to be sort of kidding (his lyrics from time to time approach Ween's in ridiculousness -- "Deeper deeper, I can feel your beeper"?), but the audio alone appears serious! Hard-Fi - Dark British dance-rock band. A pair tracks are great and bitter in that mid-interval Gang Of Four way, but they feel a lot more worried with romancing the ladies. Harlem Shakes - NYC indie rock band specializing for gentle-hearted happy music with horns, pianos and nerdy nasally vocals. I'll move. Six THOUSAND Times. Hauschka - German "organized piano" player. May be of curiosity to Philip Glass enthusiasts or one thing, I do not know. Sometimes there are horns and violins and crap in there also. Have A Nice Life - Lo-fi, greatly reverbed shoegaze-art-pop. Judging from the One Single Song they set on Myspace anyway. Hayes Carll - Country/western. "She Left Me For Jesus" is a adorable idea ("If I ever uncover Jesus, I'm-a kick his ass!"), but I'm not a supporter of the style. Health - Calamitous guitars, ridiculous synth noises, feed-back, loud stomping/rollocking drums and eerie disembodied vocals. Reminiscent of early Sonic Youth and fuzz-synthy Kraftwerk, but with a much larger, stranger selection of noises likely on. Worth listening to, even if their 'sound' is greater than their 'songs.' Heartless Bastards - Thick Crazy Horse-type guitar rock and acoustic strummery led by a female singer with a peculiar accent. I like their sound, but the riffs are as well predictable and repetitive. With these types of a fantastic identify and fascinating voice, I desire I could say they're very good, but they are not talented plenty of to be good. One of their tunes works by using the "Blitzkrieg Bop" riff, for Christ's sake! Come on, young people. Work on your "chops"! Hella - Load Recordsy experimental instrumental noise-math-rock duo who a short while ago turned a 5-piece with vocals. Speedy guitar notin' and chordin', insane manic drums, and also some overdistorted chintzy keyboards for pleasurable. Some of it's wonderful Lightning Bolty stuff other individuals are just noisy joke or atmospheric items. Worth checking out, even if some of their stuff is entirely half-assed novelty tunes. Hepa-Titus - Experimental task that includes former Cows/Melvins/Tomahawk bassist Kevin Rutmanis and several contributors, such as previous members of God Bullies, The Weirdos and Hammerhead. Their function ranges from uptempo guitar rock and screaming psych-dirge steel to menacing audio noir and bongo-driven distorted bass sound to eerie feminine-voiced keyboard racket and '60s blooze-groove to just utter piss-off sound. If you like Teenage Larvae, you can expect to most likely be into this stuff much too. If you are inclined towards genuine 'music,' you may well want to hold off. Hercules And Love Affair - Dance and disco tunes with a singer who could be a person or a lady. Who is aware of? My wife likes it. That makes 1 of us. High Places - Brooklyn experimental songs with male on music and gal on vocals. Melodies created from noises and odd minimal notes from many instruments. Features unusual rhythmic noises, ambient clinky tones, tribal beats, moody drones, chimy notes and melodic vocals. Bizarre and rather, but the novelty wears slim rapidly. Ho-Ag - Boston quartet that brings together intense sound-rock with pessimistic indie rock. The guitars audio like they are strung with barbed wire, and some of the songs are so unappealing and offputting that they're going to actually lure darkish rainclouds into your condominium. Still, a couple of their piercing, intertwining guitar strains will completely ground you, wherever you will then conquer your head versus mentioned floor. Holy Fuck - Canadian instrumental electronic band that seemingly "uses live instrumentation and miscellaneous instruments and non-devices (including a 35 mm movie synchronizer, toy keyboards and toy phaser guns) to achieve digital-sounding outcomes without having the use of laptops or programmed backing tracks." They generate sweet very little pop, e-z listening and disco-rock tunes filled with whooshes, squizzles and beeps. It's exciting, and the are living drums preserve it great and propulsive, but a tiny of this things goes a very long way. Most of the melodies just usually are not sturdy enough to warrant becoming performed about and around and above for 5 minutes at a extend, no issue how a lot of neat noises they pile on major. Homostupids - Overdistorted lo-fi screamy drunk/entertaining/hardcore/punk. Okay, but I'm unemployed. Hooded Menace - Finnish doom metallic with growly demise metal vocals. Not significantly to it. Horse Feathers - Cello, violin, banjo and guitar participating in folks music so calm that it won't be able to be far more than 1 BPM. The singer seems like an American Nick Drake, with a voice so shy and superior-pitched that it is really in hazard of floating absent and hiding guiding a cloud. Are there significantly persons who can listen to tunes this mellow with no their coronary heart charges halting lifeless? If so, don't be shocked when they begin utilizing shitty bands like this to eliminate off the rest of us. Hot Chip - Electro-pop. Why are so lots of bands actively playing this '80s nostalgia audio these days? Dull songwriting. Hot Cross - Well, they're long gone NOW. But when they were being around, they played emo/screamo punk with qualified, note-full guitar traces. Good things! The singer seems 16, and may well have been for all I know. On the "Cryonics" album, they do the dumb Linkin Park "1 extraordinary person sings though the other screams" schtick too often, but 2007's "Risk Revival" is quite much well worth a pay attention if you really don't brain a 1-trick vocalist who sounds not happy 100% of the time. Hot Lava - Cutesy indie pop with clear guitars, feminine vocals and purposely hissy recording. Reminds me of the childish glee-pop that K Records was putting out in the early '90s. Teen ladies may possibly like it I confident do not. Howlin Rain - '70s-style hippie-boogie-rock, with Deep Purple organ, fuzzed-out acid guitar, and gravelly Free/Faces/Black Crowes shouty-sing vocals. Actually, I guess Black Crowes would be the greatest comparison. I'm not especially blown away by these guys' songs, but the very last Black Crowes album sucked way too. Human Highway - Canadian duo. Some charming Simon & Garfunkely harmony vocals, but the tracks are generally fey strummy/picky matters. As opposed to the manly power metallic of Simon & Garfunkel. Hunchback - Cymbal-heavy garage/psych/noise rock with '60s organ, shrieky Doc Corbin Dart-fashion vocals and loads of stage and echo consequences. Not a beloved. Hypernova - A loud-guitared punky poppy fuzz rock band from IRAN!!! I are unable to guarantee I would give their Strokes-meets-radio-punk audio a 2nd pay attention if they were being American or British, but holy crap! IRANIAN!? And they do not even suck! The lyrics existing a issue of view and cultural qualifications that Westerners rarely get a modify to listen to in well-known tunes ("I will not bow down to your God/This is not who I am!"), and the singer has a seriously small significant voice far too, as if he is identified to defy the Ayatollah Khomeini to the dying. Stick that fuel up your ass, Ayatollah Khomeini! President Reagan will get you nevertheless! I Am The World Trade Center - Sissy shit college pop garbage duo with cutesy keyboards and a lazy off-crucial woman singer. A far more insensitive reviewer might exclaim, "If only they'd been IN the World Trade Center