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Early disco was dominated by document producers and labels similar to Salsoul Records (Ken, Stanley, cam free Sex and Joseph Cayre), West End Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter). She quickly left the company and signed with Elton John's The Rocket Record Company, and in 1976 had her greatest and finest-identified single, "Don't Go Breaking My Heart", a disco duet with John. In Chicago, the Step by step disco dance Tv present was launched with the sponsorship support of the Coca-Cola company. Disco was principally developed from music that was popular on the dance flooring in clubs that began playing data instead of having a live band. Less commonly, some disco dancers wore outlandish costumes, dressed in drag, coated their our bodies with gold or silver paint, or wore very skimpy outfits leaving them almost nude; these unusual get-ups had been more likely to be seen at invitation-only New York City loft parties and disco clubs. Quaaludes have been so widespread at disco clubs that the drug was nicknamed "disco biscuits"

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The Jackson 5, one of Motown's premier acts in the early 1970s, left the report firm in 1975 (Jermaine Jackson, nevertheless, remained with the label) after successful songs like "I would like You Back" (1969) and "ABC" (1970), and even the disco song "Dancing Machine" (1974). Renamed as 'the Jacksons' (as Motown owned the title 'the Jackson 5'), they went on to seek out success with disco songs like "Blame It on the Boogie" (1978), "Shake Your Body (All the way down to the ground)" (1979), and "Can You are feeling It?" (1981) on the Epic label. Edwin Starr, recognized for his Motown protest tune "War" (1970), reentered the charts in 1979 with a pair of disco songs, "Contact" and "H.A.P.P.Y. Radio". The pair spent the week teaching disco dancing to dancers in the disco clubs. Later on uptempo rhythm and blues turned widespread in American clubs and northern soul and glam rock records in the UK. From the mid-1960s to early 1970s, Philadelphia soul and New York soul developed as sub-genres that additionally had lavish percussion, lush string orchestra preparations, and expensive record manufacturing processes. In 1970s Munich, West Germany, music producers Giorgio Moroder and Pete Bellotte made a decisive contribution to disco music with a string of hits for Donna Summer, which turned recognized as the "Munich Sound"