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It’s tempting, at first glance, to dismiss the concept for "Ain’t It Funny" as hackneyed and banal: Introduce Detroit hip-hop wildman Danny Brown right into a lily-white, Growing Pains-by way of-Too Many Cooks ’80s sitcom family and watch as hilarity ensues. "Ain’t It Funny" is probably not delicate, but its dramatization of the ways pop tradition encourages and exploits self-destruction-particularly in African American entertainers-is damning and incisive. On 22 May 2020, Netflix formally announced the show's renewal for the fourth season, which was already in growth. It could appear jarring to put all this out at the start of the story, to start out with a sudden cold plunge into a life-fracturing subject. Killer Mike’s furious "We killin’ them for freedom ‘cause they tortured us for boredom" performs out in grim actual time because the dueling figureheads wear each other down. The stage included a 100-foot-tall (30 m) golden yellow arch paying homage to the McDonald's logo, a 40-foot-tall (12 m) mirrorball lemon, and a 150-foot-lengthy (46 m) LED video display, on the time the world's largest. Though the complete video was shot in a single long take, the action offered does not transpire in real time
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